imgreat95
06-24-2002, 06:53 PM
The most anonymous superstar in sports drank from puddles as a child because he grew up with no running water or electricity. Then things got bad. A hurricane blew the roof off his family's shack, leaving only one tiny room intact amid the flooding, so that's where seven cramped family members lived, sharing two beds, whatever sugar and milk the rescue helicopters dropped and little else. Vladimir Guerrero remembers that awful smell and all those flies. Two decades later, he can still taste those damned puddles, and he takes that taste into the batting cage with him when he doesn't feel like doing the extra hitting.
The most anonymous superstar in sports had to work in the Dominican fields to stay fed as a kid, harvesting tomatoes, melons and onions, taking breaks only to make breakfast out of those puddles and whatever else the stingy land gave him.
Caught in the spotlight.
He laughs at this now, amid the luxury of the major leagues, laughs at the mule that bit him on the leg and the cow that dragged him all over because he was much too small to be trying to milk it. The family needed Vladimir working, though, so he missed a lot of classes before the fifth grade and didn't go to school at all after then, his mother saying now, "I feel guilty about that, but we had to eat. The storm didn't kill anybody in our town, but the hunger after it did." Didn't help, either, that the only school in the area was turned into a hurricane-relief homeless shelter for three years and that the bicycle the Guerrero family shared for transportation was being pulled in too many other directions to go searching for education elsewhere.
The most anonymous superstar in sports may be the world's most confident man in the batter's box, where he trusts his talent so much he doesn't bother to study tape or read scouting reports and usually doesn't even know the pitcher's name, but he's not nearly as self-assured about his intelligence outside those chalked confines. That may explain why he so disdains interviews. (He declines most.) It may explain why he's so quiet that his nickname since childhood has been El Mudo (The Mute). And it may explain why he's so painfully shy, even around children, that he gets mistaken for being aloof, moody and distant.
"If I hadn't been a big leaguer, I don't know where I'd be right now," Guerrero says in Spanish. "I don't know how to do anything else."
Guerrero is insecure, too, about never having learned English. But now he's too comfortable to change that, despite prodding from Expos management, because he likes his simple life the way it is -- tranquil, to use his word. Speaking only Spanish in a city of French and English provides a shield for his shyness, the language barrier becoming just that, a barrier between him and an excess of attention. Fame? "Not interested," he says through a smile. "Brings problems." Guerrero remains unknown, personally if not professionally, at least partially because that's the way he wants it and ...
Hold on a second. You don't get to choose how you get your fame, as if it were a menu selection -- not in this culture, not when you have transcendent athletic talent. No, fame is forced upon you, intrusively if need be. Guererro, 26, has been in professional baseball for a decade, so how, beyond the grew-up-with-a-milk-carton-for-a-baseball-glove Dominican cliché, have the details of his life escaped the attention of the monstrous sports myth-making machine? In this day and age? When we learn of Allen Iverson's jailing and Stephon Marbury's promise while they're still high schoolers? When 11th graders are on national magazine covers and a world of Mel Kipers are dissecting athletes who are still dissecting frogs in biology class, all we get of Guerrero is limited to that batter's box?
His team my be on the verge of extinction, but Vlad is all game.
Guerrero put together three straight .300, 30-HR, 100-RBI seasons before turning 25. Ken Griffey Jr. never did that. Neither did A-Rod. Only Joe DiMaggio, Ted Williams and Jimmie Foxx did that. You can make a convincing argument that Guerrero is today's most exciting baseball player and its best all-around talent, too, without feeling the need to apologize to Ichiro or A-Rod. But in the age of MTV Cribs, when we can see for ourselves that an Outkast rapper has a stripper's pole in his living room, how does something as large as a superstar's past and present get misplaced like a set of car keys?
Of all the amazing parts of the Guerrero story -- the fifth-grade education, the fact he still lives with his mother, the raw gifts that make him unlike anyone else playing -- the most amazing part might be that so few people have heard it. An anonymous sports superstar in 2002? Yeah, right. Next thing you'll tell us is that the symbol for the lovable sitcom Dad in 2002 is Ozzy Osbourne.
You can't blame this all on Guerrero playing in floundering Montreal, either. There have been famous Expos, from Rusty Staub to Gary Carter to Andre Dawson to Tim Raines to Larry Walker, but here are the only differences between them and Guerrero: He's more talented than any of them, and not by a little bit, either. And, of course, he speaks far less English.
Guerrero's feats of strength are impossibly outsized, teetering toward tall tales, leaving even the likes of Sammy Sosa saying, "Amazing. I don't know how he does it. I just want to know how." There are the runners Guerrero throws out from the warning track with an aaah-inspiring arm. There's the combination of speed and power that turns sharp grounders between the shortstop and the second base bag into triples. And there are the scorched doubles on pitches in the dirt. Marlins manager Jeff Torborg predicts Guerrero will one day homer on a pitch that bounces. Guerrero can awe you with everything from his body of work to the way his body works.
"He's one of the wonders of our world," says Expos catcher Michael Barrett. "He leaves us all in complete amazement. He's so natural, so pure. What he hits just isn't hittable to the rest of us. He's one of the most unique players ever." A locker over, first baseman Lee Stevens interjects, "You must be talking about The Freak again. It's like he's made of rubber. He hits balls that ain't even close to the strike zone harder than I've ever hit a strike."
Guerrero never wears batting gloves and is aggressive beyond all reason, swinging at everything between the on-deck circles while rarely striking out. He explains his extraordinary ability to hit bad pitches like he explains just about everything -- simply. He takes two shoes out of his locker and places them on the floor a short distance apart. As a kid, he played a mutant game of two-on-two baseball between walls now represented by those shoes. Anyone who hit the wall with the ball got a point. Defense was using your bat to keep rolled balls, bouncing balls, hit balls, hard-thrown balls, from hitting those walls.
"See?" he says. "It's easy."
Well, yeah, Vladimir, but you weren't hitting 94 mph Robb Nen sliders back then or ... oh, never mind. You can't explain how this kind of genius evolved from Guerrero's childhood any more than you can explain Jackson Pollock's work by staring into a bucket of his paint. Better to just sit back and marvel at the finished product.
Guerrero might be the most impressive collection of raw talent baseball has seen since Roberto Clemente's plane crashed -- or hasn't seen, to be more accurate. Even locally, only 53 Expos games made it to television last season. In 2000, while Guerrero was hitting .345 with 44 homers and 123 RBIs (despite being injured for eight games and being intentionally walked more than anyone in baseball), you could only find English language radio broadcasts of his games on the Internet.
"If he played in a different market, they'd be talking about him already as a sure-fire Hall of Famer and comparing him to the best ever," says Montreal manager Frank Robinson, himself a Hall of Famer. "Every day I find myself saying, 'I can't believe he just did that.' He hits balls harder than anyone I've ever seen. Any pitch that has air under it has a chance to leave the park. No pitcher can ever feel safe or comfortable releasing the ball toward him. He doesn't take a back seat to anyone I've ever seen play this game. Ever."
Robinson guesses he has talked to Guerrero maybe six times this season, always through a translator. That's been the extent of the interaction between Montreal's manager and Montreal's best player. By comparison, Robinson might talk to another Expo six times during one batting practice. He fears too many important things, like tone, get lost in translation to bother with it. Just recently, for example, Guerrero made an errant throw and Robinson wanted to discuss it with him between innings, just to see what Guerrero was thinking, but he feared Guerrero might think he was being reprimanded, so Robinson avoided him altogether.
"I might do damage, so I leave it alone," Robinson says. "I can't teach him anything this way. I can't help him with the mental parts of the game -- slumps, approach, state of mind. It's awkward, frustrating. He would feel better, and I would feel better, if I could reach him, but I can't. He's on his own."
You know anything personally about him, Frank?
"No," Robinson says.
You ever read anything or seen anything on TV that gave you any meaningful insight into him?
"No," Robinson says.
As someone who must know which buttons to push on a player to motivate him, how do you remedy that?
"You don't," Robinson says.
Guerrero's manager spends every day with him and doesn't know him.
So how can we?
***
The most anonymous superstar in sports had to work in the Dominican fields to stay fed as a kid, harvesting tomatoes, melons and onions, taking breaks only to make breakfast out of those puddles and whatever else the stingy land gave him.
Caught in the spotlight.
He laughs at this now, amid the luxury of the major leagues, laughs at the mule that bit him on the leg and the cow that dragged him all over because he was much too small to be trying to milk it. The family needed Vladimir working, though, so he missed a lot of classes before the fifth grade and didn't go to school at all after then, his mother saying now, "I feel guilty about that, but we had to eat. The storm didn't kill anybody in our town, but the hunger after it did." Didn't help, either, that the only school in the area was turned into a hurricane-relief homeless shelter for three years and that the bicycle the Guerrero family shared for transportation was being pulled in too many other directions to go searching for education elsewhere.
The most anonymous superstar in sports may be the world's most confident man in the batter's box, where he trusts his talent so much he doesn't bother to study tape or read scouting reports and usually doesn't even know the pitcher's name, but he's not nearly as self-assured about his intelligence outside those chalked confines. That may explain why he so disdains interviews. (He declines most.) It may explain why he's so quiet that his nickname since childhood has been El Mudo (The Mute). And it may explain why he's so painfully shy, even around children, that he gets mistaken for being aloof, moody and distant.
"If I hadn't been a big leaguer, I don't know where I'd be right now," Guerrero says in Spanish. "I don't know how to do anything else."
Guerrero is insecure, too, about never having learned English. But now he's too comfortable to change that, despite prodding from Expos management, because he likes his simple life the way it is -- tranquil, to use his word. Speaking only Spanish in a city of French and English provides a shield for his shyness, the language barrier becoming just that, a barrier between him and an excess of attention. Fame? "Not interested," he says through a smile. "Brings problems." Guerrero remains unknown, personally if not professionally, at least partially because that's the way he wants it and ...
Hold on a second. You don't get to choose how you get your fame, as if it were a menu selection -- not in this culture, not when you have transcendent athletic talent. No, fame is forced upon you, intrusively if need be. Guererro, 26, has been in professional baseball for a decade, so how, beyond the grew-up-with-a-milk-carton-for-a-baseball-glove Dominican cliché, have the details of his life escaped the attention of the monstrous sports myth-making machine? In this day and age? When we learn of Allen Iverson's jailing and Stephon Marbury's promise while they're still high schoolers? When 11th graders are on national magazine covers and a world of Mel Kipers are dissecting athletes who are still dissecting frogs in biology class, all we get of Guerrero is limited to that batter's box?
His team my be on the verge of extinction, but Vlad is all game.
Guerrero put together three straight .300, 30-HR, 100-RBI seasons before turning 25. Ken Griffey Jr. never did that. Neither did A-Rod. Only Joe DiMaggio, Ted Williams and Jimmie Foxx did that. You can make a convincing argument that Guerrero is today's most exciting baseball player and its best all-around talent, too, without feeling the need to apologize to Ichiro or A-Rod. But in the age of MTV Cribs, when we can see for ourselves that an Outkast rapper has a stripper's pole in his living room, how does something as large as a superstar's past and present get misplaced like a set of car keys?
Of all the amazing parts of the Guerrero story -- the fifth-grade education, the fact he still lives with his mother, the raw gifts that make him unlike anyone else playing -- the most amazing part might be that so few people have heard it. An anonymous sports superstar in 2002? Yeah, right. Next thing you'll tell us is that the symbol for the lovable sitcom Dad in 2002 is Ozzy Osbourne.
You can't blame this all on Guerrero playing in floundering Montreal, either. There have been famous Expos, from Rusty Staub to Gary Carter to Andre Dawson to Tim Raines to Larry Walker, but here are the only differences between them and Guerrero: He's more talented than any of them, and not by a little bit, either. And, of course, he speaks far less English.
Guerrero's feats of strength are impossibly outsized, teetering toward tall tales, leaving even the likes of Sammy Sosa saying, "Amazing. I don't know how he does it. I just want to know how." There are the runners Guerrero throws out from the warning track with an aaah-inspiring arm. There's the combination of speed and power that turns sharp grounders between the shortstop and the second base bag into triples. And there are the scorched doubles on pitches in the dirt. Marlins manager Jeff Torborg predicts Guerrero will one day homer on a pitch that bounces. Guerrero can awe you with everything from his body of work to the way his body works.
"He's one of the wonders of our world," says Expos catcher Michael Barrett. "He leaves us all in complete amazement. He's so natural, so pure. What he hits just isn't hittable to the rest of us. He's one of the most unique players ever." A locker over, first baseman Lee Stevens interjects, "You must be talking about The Freak again. It's like he's made of rubber. He hits balls that ain't even close to the strike zone harder than I've ever hit a strike."
Guerrero never wears batting gloves and is aggressive beyond all reason, swinging at everything between the on-deck circles while rarely striking out. He explains his extraordinary ability to hit bad pitches like he explains just about everything -- simply. He takes two shoes out of his locker and places them on the floor a short distance apart. As a kid, he played a mutant game of two-on-two baseball between walls now represented by those shoes. Anyone who hit the wall with the ball got a point. Defense was using your bat to keep rolled balls, bouncing balls, hit balls, hard-thrown balls, from hitting those walls.
"See?" he says. "It's easy."
Well, yeah, Vladimir, but you weren't hitting 94 mph Robb Nen sliders back then or ... oh, never mind. You can't explain how this kind of genius evolved from Guerrero's childhood any more than you can explain Jackson Pollock's work by staring into a bucket of his paint. Better to just sit back and marvel at the finished product.
Guerrero might be the most impressive collection of raw talent baseball has seen since Roberto Clemente's plane crashed -- or hasn't seen, to be more accurate. Even locally, only 53 Expos games made it to television last season. In 2000, while Guerrero was hitting .345 with 44 homers and 123 RBIs (despite being injured for eight games and being intentionally walked more than anyone in baseball), you could only find English language radio broadcasts of his games on the Internet.
"If he played in a different market, they'd be talking about him already as a sure-fire Hall of Famer and comparing him to the best ever," says Montreal manager Frank Robinson, himself a Hall of Famer. "Every day I find myself saying, 'I can't believe he just did that.' He hits balls harder than anyone I've ever seen. Any pitch that has air under it has a chance to leave the park. No pitcher can ever feel safe or comfortable releasing the ball toward him. He doesn't take a back seat to anyone I've ever seen play this game. Ever."
Robinson guesses he has talked to Guerrero maybe six times this season, always through a translator. That's been the extent of the interaction between Montreal's manager and Montreal's best player. By comparison, Robinson might talk to another Expo six times during one batting practice. He fears too many important things, like tone, get lost in translation to bother with it. Just recently, for example, Guerrero made an errant throw and Robinson wanted to discuss it with him between innings, just to see what Guerrero was thinking, but he feared Guerrero might think he was being reprimanded, so Robinson avoided him altogether.
"I might do damage, so I leave it alone," Robinson says. "I can't teach him anything this way. I can't help him with the mental parts of the game -- slumps, approach, state of mind. It's awkward, frustrating. He would feel better, and I would feel better, if I could reach him, but I can't. He's on his own."
You know anything personally about him, Frank?
"No," Robinson says.
You ever read anything or seen anything on TV that gave you any meaningful insight into him?
"No," Robinson says.
As someone who must know which buttons to push on a player to motivate him, how do you remedy that?
"You don't," Robinson says.
Guerrero's manager spends every day with him and doesn't know him.
So how can we?
***